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Helen Wang is a London-based contributor to Paper Republic and co-tweets with translator Nicky Harman on @cfbcuk (China Fiction Book Club UK). She was one of the original editors of Read Paper Republic - working with Nicky Harman, Dave Haysom and Eric Abrahamsen. In September 2016, she started a new project Chinese books for young readers, with Anna Gustafsson Chen and Minjie Chen. She won the 2017 Marsh Award for Literature in Translation for her translation of Bronze and Sunflower by Cao Wenxuan. In 2017 she was awarded the Chen Bochui "Special Contribution" Award, for her translations and increasing visibility of Chinese children's books.
Translations
Cao Wenxuan's Bronze and Sunflower (children's novel), Walker Books, April 2015. - Cao Wenxuan won the 2016 Hans Christian Andersen Award; Helen Wang won the 2017 Marsh Award for Children's Literature in Translation 曹文轩 《青铜葵花》
Cao Wenxuan's Crows (essay), published in Pathlight Summer 2015, and as Read Paper Republic #15.
曹文轩 《乌鸦》
Cao Wenxuan's A Very Special Pigeon (short story), published by Writing Chinese, 10 Sept 2015; also published as a bilingual book 《凤鸽儿/A Very Special Pigeon》, Renmin wenxue chubanshe/Tiantian chubanshe, 2016)
曹文轩 《一个叫凤的鸽子》
Cao Wenxuan's Huiwa takes a stand (short story/novella), Pathlight; also published as a bilingual book 《灰娃的高地/Huiwa’s Stand》, Renmin wenxue chubanshe/Tiantian chubanshe, 2016)
曹文轩 《灰娃的高地》
Cao Wenxuan's The Cassia Tree (short story/novella), published as a bilingual book 《火桂花/The Cassia Tree》, Renmin wenxue chubanshe/Tiantian chubanshe, 2016)
曹文轩 《火桂花》
Cao Wenxuan's Firebrand (excerpt), published as a bilingual book 《白马雪儿/Looking for Snowy》, Renmin wenxue chubanshe/Tiantian chubanshe, 2016)
曹文轩 《火印》
Du Ma’s Into Parting Arms, in Henry Y. H. Zhao and John Cayley (eds), Under-sky Underground, Wellsweep Press, London, 1994, 219-39.
杜麻（李冯）《投入向分裂的怀抱》
Fan Xiaoqing's Ying Yang Alley (short story), in Chinese Arts and Letters vol.2, no.2 (Oct 2015), pp.28-33, and as Read Paper Republic 44
范小青 《鹰扬巷》
Fan Xiaoqing - interviewed by the editor Yang Haocheng, in Chinese Arts and Letters vol.2, no.2 (Oct 2015), pp. 64-78.
杨昊成 范小青 《写作于我，更多地是享受过程中的创造、宁静和自由 —— 范小青访谈录》
Han Dong's Brand New World (short story), co-translated with Nicky Harman, published on 25 March 2012.
韩东 《崭新世》
C.F. Hu's Ever After - this is from chapter 5 of Floating (a novel in stories) prepared as a sample translation for Books from Taiwan (contact Gray Tan at The Grayhawk Agency for details)
胡晴舫 《懸浮》
Li Jingrui's Missing (short story), published on Read Paper Republic, week 8, 6 August 2015. Subsequently published on the WritingChinese website, November 2015.
李静睿 《失踪》
Lin Man-chiu's The Ventriloquist's Daughter (YA novel), Balestier Press, 2017. 林满秋 《腹語師的女兒》
Lu Min's Xie Bomao R.I.P. (short story), in Chinese Arts and Letters, vol. 1, no. 2, Autumn 2014, pp.128-143. Reprinted on Read Paper Republic, no.20, 29 October 2015.
鲁敏 《谢伯茂之死》
Lu Min - chapter 1 of Dinner For Six (novel) prepared as a sample translation (contact Gray Tan at The Grayhawk Agency for details)
魯敏 《六人晚餐》
Lu Min's A Second Pregnancy, 1980 (essay), published on Read Paper Republic, week 21, 3 November 2015.
鲁敏 《1980年的第二胎》
Lü Yao’s The Steamers Came Alive Again That Night (essay), in Pathlight, Winter 2015.
绿妖《轮船复活之夜》
Ma Yuan’s Mistakes (short story), in Henry Y. H. Zhao (ed.), The Lost Boat: Avant-garde Fiction from China, Wellsweep Press, London, 1993, pp. 29-42.
马原 《错误》
Shen Shixi’s Jackal and Wolf (children’s novel), Egmont, London, 2012. The first chapter is available as a preview ('click to look inside').
沈石溪著 《红豺》
Shi Kang's Sunshine in Winter (short story), translated by Helen Wang, Michelle Deeter, Killiana Liu and Juliet Vine, published in March 2012.
石康 《冬日之光》
Tsen Peng-Wei's The Nowhere School (sample of children's book), published in Books from Taiwan, June 2015.
岑澎維 《找不到國小三部曲》
Wang Anyi's Ah Fang's Lamp (short story), published in The Book of Shanghai, ed. by Dai Congrong and Dr Jin Li (Comma Press, 2020). Read online on Bookanista
Xu Zechen's Galloping Horses (short story), published on the Guardian website, 12 April 2012. Subsequently published with audio version on the WritingChinese website
徐则臣 《奔马》
Ye Mi's Velvet, in Pathlight Autumn 2015, pp. 91-102.
叶弥 《天鹅绒》
Ye Zhaoyan's Police Python 357 (short story) in Chinese Arts and Letters, vol. 2, no. 1 (2015), pp. 6-17.
叶兆言 《左轮三五七》
Yu Hua’s One Kind of Reality (short story), in Henry Y. H. Zhao (ed.), The Lost Boat: Avant-garde Fiction from China, Wellsweep Press, London, 1993, pp. 145-84.
余华 《现实一种》
Yu Hua's How My Books Have Roamed the World (essay), Specimen - The Babel Review of Translations, online publication 21 Sept 2017.
余华 《我的书游荡世界的经历》
Zhang Chengzhi’s The Way of Heaven – Beginning of Autumn (essay), in Henry Y. H. Zhao and John Cayley (eds), Under-sky Underground, Wellsweep Press, London, 1994, pp. 145-48.
张承志 《天道立秋》
Zhang Langlang's The Legend of the Sun Brigade (essay), in Henry Y. H. Zhao and John Cayley (eds), Under-sky Underground, Wellsweep Press, London, 1994, pp. 87-95.
张朗朗 《太阳纵队》
Zhang Xinxin's IT84
(novel) Originally published as a novella in Shanghai Wenxue 2015.12, it was rewritten as a novel, and published in 2018. Five chapters of the novel were translated into French by Brigitte Duzan and published in Jentayu 10 (summer 2019). I translated the same five chapters into English - available online
张辛欣 《IT84》
Zhang Xinxin's Dragonworld (short story), published on the Guardian website, 12 April 2012, and in the Read Paper Republic Afterlives series, 3 Nov 2016 (read here, with introduction by the author)
张辛欣 《龙的食谱》
Zhang Xinxin's Pai Hua Zi and the Clever Girl (graphic novel), published by Zhang Xinxin on ibooks, August 2012, Part 1 (includes free 20-page preview) and Part 2
张辛欣 《拍花子和俏女孩》
Zhang Xinxin's Self-portrait (essay) - available online and as Read Paper Republic 45
张辛欣 《自画像》
Zhang Xinxin's Mad About Orchids (short story) - available online
张辛欣 《疯狂的君子兰》
Zhang Xinxin's The Adventures of a Graphic Novelist - available online
张辛欣 《小人书画家历险记》
Zhang Xinxin's After the Inferno, in Words Without Borders, 1 Nov 2017 - available online
张辛欣 - excerpt from her book 《我 Me》
Zhou Jianing's Let Us Talk About Something Else, in Pathlight, Summer 2014, 34-43.
周嘉宁 《让我们聊些别的》
Zhu Hui's Just You Wait, in Pathlight, 2017.
朱辉 《要你好看》
PICTURE BOOKS
CeeCee, by Mao XIAO and Chunmiao LI, Candied Plums, 2016
萧袤: 《西西》
Express Delivery from Dinosaur World, by Yanan DONG, Candied Plums, 2016
董亚楠: 《恐龙快递》
The Frog and the Boy, by Mao XIAO, Wei CHEN, Xiaomin HUANG, Candied Plums, 2016
萧袤: 《青蛙与男孩》
An’s Seed, by Zaozao WANG and Li HUANG, Candied Plums, 2016
王早早: 《安的种子》
Flame, by Zhucheng LIANG, Candied Plums, 2016
朱成梁: 《火焰》
Little Rabbit’s Questions, by Da You, Candied Plums, 2016
大友： 《小兔的问题》
Tan Hou and the Double Sixth Festival, by CAI Gao et al, Balestier Press, London & Singapore, 2016
作者: 向华 / 邬朝祝 整理 / 绘者 蔡皋 : 《晒龙袍的六月六》
Bibbit Jumps, by Bei Lynn, Gecko Press, 2020
林小杯:《步步蛙很愛跳》
The Mask that Loved to Count, by Luo Xi, Cardinal Media Kids, 2020
爱数数的口罩
The Empty Bowl, by AI Wener, Cardinal Media Kids, 2020
空饭盒
Grandpa's 14 Games, by Zhao Ling, Cardinal Media Kids, 2020
爷爷的14个游戏
A Journey of 600 Inches, by Zhang Xiaoling, Cardinal Media Kids, 2020
九千毫米的旅行
Levin the cat, by Tao Jiu, Cardinal Media Kids, 2020
列文是只猫
Mom is Hiding, by Qian Mo, Cardinal Media Kids, 2020
躲起来的妈妈
I am Hua Mulan, by Qin Wenjun, Balestier Press, 2020
我是花木兰
Myna Bird as Free as a Cloud, by Bai Bing, Balestier Press, 2020
云朵一样的八哥
Other publications
The Music of Ink at the British Museum (edited volume featuring Yang Lian, Romesh Gunesekera, Denis Brown, Qu Lei Lei, Rohan de Saram, Zeng Laide and Wang Tao), Saffron Books, London, 2012. Info here
Is Gao Xingjian’s play Chezhan merely a blind worship of modern Western plays as the critic He Wen claims? How far can Chezhan be compared with Beckett’s Waiting for Godot?, Bulletin of the British Association for Chinese Studies, 1986, pp. 83-89. Available here
Interviews and short pieces
Interview, with Julie Sullivan, in Words and Pictures (SCBWI), 7 Oct 2018.
Interview, with Nanette McGuinness, in SCBWI, The Blog, 7 Sept 2017.
Interview, with Eric Abrahamsen, for Paper Republic, April 2016. in English and in Chinese
Interview, with Daniel Hahn, in Books for Keeps.
On "Bronze and Sunflower" in LARB China Blog, 13 April 2016
Translating Children's Books - a short piece for Books from Taiwan (2015)
Learning about Chinese children's books - interview with Zoe Toft for Playing by the Book, 27 April 2015
Bronze and Sunflower - Ann Morgan's Book of the Month, April 2015
Guest Interview: Helen Wang on Children's Book Translation, interviewed by Avery Fischer Udagawa for Cynthia Leitich Smith's "Cynsations" blog, 26 May 2015
Review by Nicky Harman of Bronze and Sunflower in Tribune 6 March 2015
| Small Town | by Li Jingrui | October 11, 2018 |
| Dragonworld | November 03, 2016 | |
| Self-Portrait | by Zhang Xinxin | April 21, 2016 |
| Ying Yang Alley | by Fan Xiaoqing | April 14, 2016 |
| Sunshine in Winter | by Shi Kang tr. Michelle Deeter, Killiana Liu, Juliet Vine and Helen Wang | January 14, 2016 |
| A Second Pregnancy, 1980 | by Lu Min | November 03, 2015 |
| Xie Bomao R.I.P. | by Lu Min | October 29, 2015 |
| Crows | by Cao Wenxuan | September 24, 2015 |
| Missing | by Li Jingrui | August 06, 2015 |
The Paper Republic database exists for reference purposes only. We are not the publisher of these works, are not responsible for their contents, and cannot provide digital or paper copies.
By Helen Wang, February 22, '17
What's big and exciting in Chinese literature? We asked Heather Inwood, who always seems to have her finger on the pulse! She's Lecturer in Modern and Contemporary Chinese Literature and Culture at the University of Cambridge, and author of Verse Going Viral: China’s New Media Scenes (2014).
By Helen Wang, February 21, '17
Frances Wood is the author of several books, including most recently Betrayed Ally: China in the Great War (2016) and her new book Great Books of China: From Ancient Times to the Present (2017). Now retired, she was, for over thirty years, one of the key librarians and curators of the Chinese section of the British Library. We were delighted when Frances agreed to tell us what it was like to work there and how the UK’s national library went about collecting translations...
By Helen Wang, February 20, '17
Nick Stember is a historian and translator of Chinese comics and science fiction. In 2015 he completed a Master of Arts in the Department of Asian Studies at the University of British Columbia. His work has been featured in The International Journal of Comic Art, Clarkesworld Magazine, LEAP: The International Art Magazine of Contemporary China, and The China Story Yearbook. He is currently working closely with the Jia Pingwa Institute, in Xi’an, to bring more of Jia’s work into English.
By Helen Wang, February 19, '17
In the UK, most literary and translation events take place in London. A few years ago, Frances Weightman and Sarah Dodd, at the University of Leeds, set out to establish Leeds as the centre for new Chinese writing in "the North". Leeds is a city about halfway between London and Scotland (the train from London takes just over two hours). Their idea was to open up the world of contemporary Chinese writing and to engage with everyone involved in the process of transforming a great work conceived in Chinese to a great work read in English! They called the project Writing Chinese. It's been so successful, they've just received funding to develop it further! We invited Frances to tell us the story so far...
By Helen Wang, February 17, '17
The People's Republic of China has a population of over 1.38 billion. About 90% of the population is ethnically Han-Chinese, which means that about 10% of the population belong to ethnic minorities. That's over 138 million people! We invited Bruce Humes to tell us more about these people and their literature. This post is in two parts: the first part is a wonderful introduction to writing by and about non-Han peoples; and the second part introduces Chi Zijian's novel The Last Quarter of the Moon, translated by Bruce.
By Helen Wang, February 15, '17
Think about Beijing - what’s the first thought that comes to mind? Whether it’s politics, history, business, people, culture, smog, Olympics, Tian’anmen Square, university, food – our associations and experiences of a place are often associated with particular people at a particular time. The Chinese equivalent of Zeitgeist is shidai jingshen (literally, spirit of the age). And, just as English speakers might talk of Baby Boomers, Generation X, and Generation Y, Chinese speakers might talk of the One Child Policy, The 90s Generation, and Millenials. In today’s post, Martina Codeluppi reviews Feng Tang’s novel Beijing, Beijing, translated by Michelle Deeter, set in the 1990s.
By Helen Wang, February 14, '17
Chen Zijin’s novel The Untouched Crime, translated by Michelle Deeter, was published last year by AmazonCrossing. You can find readers’ comments on the amazon website, and if you scroll down the amazon.co.uk page, you can see that AmazonCrossing made this book available to reviewers on Netgalley. But who better to tell us about the book than the translator herself!
By Helen Wang, February 13, '17
The first translations of Sherlock Holmes into Chinese were published with spoiler titles like The Case of Sapphire in the Belly of the Goose, and The Case of the Jealous Woman Murdering Her Husband. Why give the game away so soon? To a large extent, it’s linked to Chinese gong’an [court case] fiction and the famous Judge Bao stories, where the focus is more about what really happened than on whodunit. But what about current crime fiction in China? Emily Jones has recently translated He Jiahong’s novel Black Holes, and we invited her to tell us more…
By Helen Wang, February 12, '17
A few years ago, Li Jingrui switched careers – she quit her job as a journalist (she reported on legal cases, and had a column in the Chinese edition of The Wall Street Journal) and turned to writing fiction. We selected her short story "Missing" for the Read Paper Republic series, and also featured it in our first Speed Book Club event. The story is about a young woman whose husband mysteriously disappears for a few months, and at the book club this opened up an amazing discussion, drawing comparisons with the wives of los desaparecidos in Chile. We also selected a non-fiction piece "One Day, One of the Screws Will Come Loose" by Li Jingrui for the 2nd Bai Meigui Translation Competition with the Writing Chinese project at the University of Leeds. For Global Literature In Libraries this month, we asked Li Jingrui to tell us about her transition from legal journalism to creative writing.
By Helen Wang, February 10, '17
Jeff Wasserstrom, professor of history at UC Irvine, is the editor of The Oxford Illustrated History of Modern China, which came out last year, author of five books, one of them titled China in the 21st Century; What Everyone Needs to Know! He is very interested in literature as well as history, and he has written reviews of works of Chinese fiction for publications such as the New York Times and the TLS, so we invited him to tell us which book we absolutely had to feature in the GLLI series. He chose The Three Body Problem, the first installment of a trilogy by Liu Cixin, an outstanding work of speculative fiction, and in this piece, as a comparative-minded person, he explores where it sits on the global literature shelf. (Not sure what speculative fiction is? Jeff encourages us to think of it as What If Fiction)
By Helen Wang, February 7, '17
Dream of the Red Chamber by Cao Xueqin is the quintessential Chinese novel. The translation by David Hawkes and John Minford (The Story of the Stone, Penguin Classics) is such a pleasure to read that the Complete Review suggested it as a contender for Book of the Millenium! This much-loved eighteenth-century classic has been adapted for the cinema, for TV, for radio, for the stage and, most recently, as an opera co-produced by the San Francisco Opera and the Hong Kong Arts Festival. So we just had to include it in the GLLI’s China month! In 2016, Ann Waltner, Professor of History at the University of Minnesota, created a free online course Dream of the Red Chamber: Afterlives, with the help of her graduate students. Designed for people who’ve never read the novel before, it’s a great resource – whether you’re reading by yourself or as a book-group. We’re delighted that Ann agreed to write today’s post.
By Helen Wang, February 6, '17
Today's post is about contemporary Chinese poetry, and is written by Eleanor Goodman, poet and award-winning translator - her translation of Something Crosses My Mind: Selected Poems by Wang Xiaoni published by Zephyr Press in 2014, won the Lucien Stryk Translation Prize and was shortlisted for the 2015 Griffin Poetry Prize.
By Helen Wang, February 5, '17
My Chinese Books is the blog of Bertrand Mialaret, who reviews the latest Chinese books in translation, with a new review appearing with every few weeks. He's based in Paris, and publishes his blog in French and in English. We invited him to tell us more …
By Helen Wang, February 4, '17
Brigitte Duzan is the dynamic webmaster of chinese-shortstories.com and chinesemovies.com.fr , and has just finished organizing a Chinese film festival. She’s based in Paris, and the two websites (in French) are easy to navigate, packed with information, and written for the non-China-specialist. We invited her to tell us more about chineseshortstories.com…
By Helen Wang, January 28, '17
Happy New Year everyone! Wondering what's in store on Paper Republic in the Year of the Rooster?
READ PAPER REPUBLIC's first project of the year starts on Wednesday 1 February and runs throughout the month. The Global Literature in Libraries Initiative (GLLI) invited us to run their blog, and give it a China focus for February. We said yes, as long as we could post the blogs simultaneously on Paper Republic. So that's what we're doing! We'll be posting every day through February. We're incredibly grateful that so many PR contributors and friends have helped us to prepare for this, and we hope you'll enjoy the posts. As usual, please join in and leave comments (especially appreciative ones! and ones that add news or info).
-- The Read Paper Republic Team
