wikipedia | worldcat | academia |
Helen Wang is a London-based contributor to Paper Republic and co-tweets with translator Nicky Harman on @cfbcuk (China Fiction Book Club UK). She was one of the original editors of Read Paper Republic - working with Nicky Harman, Dave Haysom and Eric Abrahamsen. In September 2016, she started a new project Chinese books for young readers, with Anna Gustafsson Chen and Minjie Chen. She won the 2017 Marsh Award for Literature in Translation for her translation of Bronze and Sunflower by Cao Wenxuan. In 2017 she was awarded the Chen Bochui "Special Contribution" Award, for her translations and increasing visibility of Chinese children's books.
Translations
Cao Wenxuan's Bronze and Sunflower (children's novel), Walker Books, April 2015. - Cao Wenxuan won the 2016 Hans Christian Andersen Award; Helen Wang won the 2017 Marsh Award for Children's Literature in Translation 曹文轩 《青铜葵花》
Cao Wenxuan's Crows (essay), published in Pathlight Summer 2015, and as Read Paper Republic #15.
曹文轩 《乌鸦》
Cao Wenxuan's A Very Special Pigeon (short story), published by Writing Chinese, 10 Sept 2015; also published as a bilingual book 《凤鸽儿/A Very Special Pigeon》, Renmin wenxue chubanshe/Tiantian chubanshe, 2016)
曹文轩 《一个叫凤的鸽子》
Cao Wenxuan's Huiwa takes a stand (short story/novella), Pathlight; also published as a bilingual book 《灰娃的高地/Huiwa’s Stand》, Renmin wenxue chubanshe/Tiantian chubanshe, 2016)
曹文轩 《灰娃的高地》
Cao Wenxuan's The Cassia Tree (short story/novella), published as a bilingual book 《火桂花/The Cassia Tree》, Renmin wenxue chubanshe/Tiantian chubanshe, 2016)
曹文轩 《火桂花》
Cao Wenxuan's Firebrand (excerpt), published as a bilingual book 《白马雪儿/Looking for Snowy》, Renmin wenxue chubanshe/Tiantian chubanshe, 2016)
曹文轩 《火印》
Du Ma’s Into Parting Arms, in Henry Y. H. Zhao and John Cayley (eds), Under-sky Underground, Wellsweep Press, London, 1994, 219-39.
杜麻（李冯）《投入向分裂的怀抱》
Fan Xiaoqing's Ying Yang Alley (short story), in Chinese Arts and Letters vol.2, no.2 (Oct 2015), pp.28-33, and as Read Paper Republic 44
范小青 《鹰扬巷》
Fan Xiaoqing - interviewed by the editor Yang Haocheng, in Chinese Arts and Letters vol.2, no.2 (Oct 2015), pp. 64-78.
杨昊成 范小青 《写作于我，更多地是享受过程中的创造、宁静和自由 —— 范小青访谈录》
Han Dong's Brand New World (short story), co-translated with Nicky Harman, published on 25 March 2012.
韩东 《崭新世》
C.F. Hu's Ever After - this is from chapter 5 of Floating (a novel in stories) prepared as a sample translation for Books from Taiwan (contact Gray Tan at The Grayhawk Agency for details)
胡晴舫 《懸浮》
Li Jingrui's Missing (short story), published on Read Paper Republic, week 8, 6 August 2015. Subsequently published on the WritingChinese website, November 2015.
李静睿 《失踪》
Lin Man-chiu's The Ventriloquist's Daughter (YA novel), Balestier Press, 2017. 林满秋 《腹語師的女兒》
Lu Min's Xie Bomao R.I.P. (short story), in Chinese Arts and Letters, vol. 1, no. 2, Autumn 2014, pp.128-143. Reprinted on Read Paper Republic, no.20, 29 October 2015.
鲁敏 《谢伯茂之死》
Lu Min - chapter 1 of Dinner For Six (novel) prepared as a sample translation (contact Gray Tan at The Grayhawk Agency for details)
魯敏 《六人晚餐》
Lu Min's A Second Pregnancy, 1980 (essay), published on Read Paper Republic, week 21, 3 November 2015.
鲁敏 《1980年的第二胎》
Lü Yao’s The Steamers Came Alive Again That Night (essay), in Pathlight, Winter 2015.
绿妖《轮船复活之夜》
Ma Yuan’s Mistakes (short story), in Henry Y. H. Zhao (ed.), The Lost Boat: Avant-garde Fiction from China, Wellsweep Press, London, 1993, pp. 29-42.
马原 《错误》
Shen Shixi’s Jackal and Wolf (children’s novel), Egmont, London, 2012. The first chapter is available as a preview ('click to look inside').
沈石溪著 《红豺》
Shi Kang's Sunshine in Winter (short story), translated by Helen Wang, Michelle Deeter, Killiana Liu and Juliet Vine, published in March 2012.
石康 《冬日之光》
Tsen Peng-Wei's The Nowhere School (sample of children's book), published in Books from Taiwan, June 2015.
岑澎維 《找不到國小三部曲》
Wang Anyi's Ah Fang's Lamp (short story), published in The Book of Shanghai, ed. by Dai Congrong and Dr Jin Li (Comma Press, 2020). Read online on Bookanista
Xu Zechen's Galloping Horses (short story), published on the Guardian website, 12 April 2012. Subsequently published with audio version on the WritingChinese website
徐则臣 《奔马》
Ye Mi's Velvet, in Pathlight Autumn 2015, pp. 91-102.
叶弥 《天鹅绒》
Ye Zhaoyan's Police Python 357 (short story) in Chinese Arts and Letters, vol. 2, no. 1 (2015), pp. 6-17.
叶兆言 《左轮三五七》
Yu Hua’s One Kind of Reality (short story), in Henry Y. H. Zhao (ed.), The Lost Boat: Avant-garde Fiction from China, Wellsweep Press, London, 1993, pp. 145-84.
余华 《现实一种》
Yu Hua's How My Books Have Roamed the World (essay), Specimen - The Babel Review of Translations, online publication 21 Sept 2017.
余华 《我的书游荡世界的经历》
Zhang Chengzhi’s The Way of Heaven – Beginning of Autumn (essay), in Henry Y. H. Zhao and John Cayley (eds), Under-sky Underground, Wellsweep Press, London, 1994, pp. 145-48.
张承志 《天道立秋》
Zhang Langlang's The Legend of the Sun Brigade (essay), in Henry Y. H. Zhao and John Cayley (eds), Under-sky Underground, Wellsweep Press, London, 1994, pp. 87-95.
张朗朗 《太阳纵队》
Zhang Xinxin's IT84
(novel) Originally published as a novella in Shanghai Wenxue 2015.12, it was rewritten as a novel, and published in 2018. Five chapters of the novel were translated into French by Brigitte Duzan and published in Jentayu 10 (summer 2019). I translated the same five chapters into English - available online
张辛欣 《IT84》
Zhang Xinxin's Dragonworld (short story), published on the Guardian website, 12 April 2012, and in the Read Paper Republic Afterlives series, 3 Nov 2016 (read here, with introduction by the author)
张辛欣 《龙的食谱》
Zhang Xinxin's Pai Hua Zi and the Clever Girl (graphic novel), published by Zhang Xinxin on ibooks, August 2012, Part 1 (includes free 20-page preview) and Part 2
张辛欣 《拍花子和俏女孩》
Zhang Xinxin's Self-portrait (essay) - available online and as Read Paper Republic 45
张辛欣 《自画像》
Zhang Xinxin's Mad About Orchids (short story) - available online
张辛欣 《疯狂的君子兰》
Zhang Xinxin's The Adventures of a Graphic Novelist - available online
张辛欣 《小人书画家历险记》
Zhang Xinxin's After the Inferno, in Words Without Borders, 1 Nov 2017 - available online
张辛欣 - excerpt from her book 《我 Me》
Zhou Jianing's Let Us Talk About Something Else, in Pathlight, Summer 2014, 34-43.
周嘉宁 《让我们聊些别的》
Zhu Hui's Just You Wait, in Pathlight, 2017.
朱辉 《要你好看》
PICTURE BOOKS
CeeCee, by Mao XIAO and Chunmiao LI, Candied Plums, 2016
萧袤: 《西西》
Express Delivery from Dinosaur World, by Yanan DONG, Candied Plums, 2016
董亚楠: 《恐龙快递》
The Frog and the Boy, by Mao XIAO, Wei CHEN, Xiaomin HUANG, Candied Plums, 2016
萧袤: 《青蛙与男孩》
An’s Seed, by Zaozao WANG and Li HUANG, Candied Plums, 2016
王早早: 《安的种子》
Flame, by Zhucheng LIANG, Candied Plums, 2016
朱成梁: 《火焰》
Little Rabbit’s Questions, by Da You, Candied Plums, 2016
大友： 《小兔的问题》
Tan Hou and the Double Sixth Festival, by CAI Gao et al, Balestier Press, London & Singapore, 2016
作者: 向华 / 邬朝祝 整理 / 绘者 蔡皋 : 《晒龙袍的六月六》
Bibbit Jumps, by Bei Lynn, Gecko Press, 2020
林小杯:《步步蛙很愛跳》
The Mask that Loved to Count, by Luo Xi, Cardinal Media Kids, 2020
爱数数的口罩
The Empty Bowl, by AI Wener, Cardinal Media Kids, 2020
空饭盒
Grandpa's 14 Games, by Zhao Ling, Cardinal Media Kids, 2020
爷爷的14个游戏
A Journey of 600 Inches, by Zhang Xiaoling, Cardinal Media Kids, 2020
九千毫米的旅行
Levin the cat, by Tao Jiu, Cardinal Media Kids, 2020
列文是只猫
Mom is Hiding, by Qian Mo, Cardinal Media Kids, 2020
躲起来的妈妈
I am Hua Mulan, by Qin Wenjun, Balestier Press, 2020
我是花木兰
Myna Bird as Free as a Cloud, by Bai Bing, Balestier Press, 2020
云朵一样的八哥
Other publications
The Music of Ink at the British Museum (edited volume featuring Yang Lian, Romesh Gunesekera, Denis Brown, Qu Lei Lei, Rohan de Saram, Zeng Laide and Wang Tao), Saffron Books, London, 2012. Info here
Is Gao Xingjian’s play Chezhan merely a blind worship of modern Western plays as the critic He Wen claims? How far can Chezhan be compared with Beckett’s Waiting for Godot?, Bulletin of the British Association for Chinese Studies, 1986, pp. 83-89. Available here
Interviews and short pieces
Interview, with Julie Sullivan, in Words and Pictures (SCBWI), 7 Oct 2018.
Interview, with Nanette McGuinness, in SCBWI, The Blog, 7 Sept 2017.
Interview, with Eric Abrahamsen, for Paper Republic, April 2016. in English and in Chinese
Interview, with Daniel Hahn, in Books for Keeps.
On "Bronze and Sunflower" in LARB China Blog, 13 April 2016
Translating Children's Books - a short piece for Books from Taiwan (2015)
Learning about Chinese children's books - interview with Zoe Toft for Playing by the Book, 27 April 2015
Bronze and Sunflower - Ann Morgan's Book of the Month, April 2015
Guest Interview: Helen Wang on Children's Book Translation, interviewed by Avery Fischer Udagawa for Cynthia Leitich Smith's "Cynsations" blog, 26 May 2015
Review by Nicky Harman of Bronze and Sunflower in Tribune 6 March 2015
| Small Town | by Li Jingrui | October 11, 2018 |
| Dragonworld | November 03, 2016 | |
| Self-Portrait | by Zhang Xinxin | April 21, 2016 |
| Ying Yang Alley | by Fan Xiaoqing | April 14, 2016 |
| Sunshine in Winter | by Shi Kang tr. Michelle Deeter, Killiana Liu, Juliet Vine and Helen Wang | January 14, 2016 |
| A Second Pregnancy, 1980 | by Lu Min | November 03, 2015 |
| Xie Bomao R.I.P. | by Lu Min | October 29, 2015 |
| Crows | by Cao Wenxuan | September 24, 2015 |
| Missing | by Li Jingrui | August 06, 2015 |
The Paper Republic database exists for reference purposes only. We are not the publisher of these works, are not responsible for their contents, and cannot provide digital or paper copies.
By Helen Wang, March 15, '12
Paul Mason is not the only senior person at the BBC who is writing fiction. Jill McGivering, senior foreign news correspondent, has been writing novels too: The Last Kestrel and Far From My Father's House.
In her review of Mason's Rare Earth Julia Lovell writes 'Reading the passages rich in masochistic sex, you easily imagine Mason joyfully kicking free of BBC fact-checkers...'
This reminded me of something I'd seen somewhere else...
By Helen Wang, March 15, '12
Paul Mason is BBC Newsnight Economics editor. His first novel Rare Earth is set in northwest China:
"All of this is imagined, of course. 'I wrote Rare Earth,' Mason says, 'because I got tired of trying to tell the China story as fact – with so much of the political reality hidden from view, it would be easier to tell it as fiction.'"
By Helen Wang, March 15, '12
Ages ago, when I asked this question, Bruce recommended http://mclc.osu.edu/rc/bib.htm
MCLC stands for Modern Chinese Literature and Culture
This resource center contains, among other things, bibliographies of mostly English-language materials on modern and contemporary Chinese literature, film, art, music, and culture and is maintained by Kirk A. Denton at the Department of East Asian Languages and Literatures, The Ohio State University, in conjunction with the journal Modern Chinese Literature and Culture. Send comments and suggestions for entries to denton.2@osu.edu. The Center also publishes articles (see "Publications") and book reviews (see "Book Reviews"). Clicking the MCLC logo at the top of each page will return you to this page. Join the MCLC Discussion List (see "MCLC List" below). Donate money to support MCLC and the MCLC Resource Center. MCLC is also on Facebook and Twitter.
By Helen Wang, March 14, '12
On the Revolutions: Scott Lash vs Ou Ning
12:00 pm-13:30 pm, Saturday, March 17, 2012
Ullens Center for Contemporary Art, 798 Art District, Beijing
http://en.chutzpahmagazine.com.cn/EnNewDetails.aspx?id=124
By Helen Wang, March 14, '12
Tiananmen Fictions Outside the Square: The Chinese Literary Diaspora and the Politics of Global Culture by Belinda Kong
Compelling us to think about how Chinese culture, identity, and politics are being defined in the diaspora, Tiananmen Fictions Outside the Square candidly addresses issues of political exile, historical trauma, global capital, and state biopower…
Read more about this book… on http://www.temple.edu/tempress/titles/2176_reg.html
By Helen Wang, March 14, '12
National Theatre of Scotland & National Theatre of China -
First UK season of New Writing from contemporary Chinese playwrights in 2013
An international new writing project is being launched in both China and Scotland on 8th March 2012 with the aim of discovering six new Chinese writers to develop their work with the assistance of National Theatre of Scotland practitioners. Successful playwrights will have their work produced as part of Òran Mór’s A Play, a Pie and a Pint Chinese Season in Glasgow, Scotland, in 2013.
By Helen Wang, March 13, '12
From The International Herald Tribune:
Watch Your Language! (In China, They Really Do) by Mark McDonald
Scaling the wall. Buying soy sauce. Fifty cents. A mild collision. May 35. Mayor Lymph. River crab. - These words — mild, silly, inoffensive — are part of the subversive lexicon being used by Chinese bloggers to ridicule the government, poke fun at Communist Party leaders and circumvent the heavily censored Internet in China. A popular blog that tracks online political vocabulary, China Digital Times, calls them part of the “resistance discourse” on the mainland.
By Helen Wang, March 13, '12
From The New Yorker:
Working Titles: What do the most industrious people on earth read for fun? by Leslie T. Chang
What do the Chinese read in their spare time? Novels about work. The seventh volume of “The Diary of Government Official Hou Weidong” was published in July, with an initial print run of two hundred thousand copies. Zhichang xiaoshuo, or workplace novels, have topped best-seller lists in recent years. “Du Lala’s Promotion Diary,” by a corporate executive writing under the pen name Li Ke, is the story of a young woman who rises from secretary to human-resources manager at a Fortune 500 company. The books have sold five million copies...
By Helen Wang, March 13, '12
Eric Abrahamsen, writing in The International Herald Tribune:
"Last Wednesday I tried to close my bank account. I won’t pretend that the Bank of China is the most Orwellian institution in the world, but in terms of human suffering inflicted by bureaucracy, it has to make the long list..."
(with thanks to Nicky for sending this to me!)
By Helen Wang, March 12, '12
"Bringing Chinese poetry to the UK" Literary Translation Centre, London Bookfair, 18 April.
(http://www.londonbookfair.co.uk/en/Sessions/243/Bringing-Chinese-Poetry-to-the-UK/)
The blurb for this session asks "How important are promotional events or readings, if at all?" If you've ever heard Brian Holton, W.N. Herbert and Yang Lian you will know the answer to this question. If you haven't, see the links below. I single out these three, because I have seen and heard them perform live and it's just not the same as reading the words on the page!
By Helen Wang, March 12, '12
It took me ages to find the Literary Translation Centre programme on the LBF website, and then it was arranged alphabetically by session title. Call me old-fashioned, but I prefer schedules in chronological order, so here is an abridged version in date/time order, with the names of people. For more info on the sessions, chairs/speakers, check out the website.
By Helen Wang, March 12, '12
In a rash moment, I offered to post a new entry on Paper Republic every day until the London Bookfair. Now Nicky suggests that I come clean and say who I am and why I’m doing this!
By Helen Wang, March 11, '12
Kate Griffin has just written a piece about editing Chinese fiction for the Writers' Centre, Norwich:
“On the way back from Australia in December 2011, I spent a week in Shanghai and Beijing talking to Chinese writers, translators and editors about the editing culture in China (or lack thereof) and its impact on translation, and about support for writers. After a few days of intense conversation I gained a fascinating glimpse into the writing life in China today. All those I spoke with agreed that there is both a serious need for more professional editing as well as a shortage of experienced editors within the Chinese publishing industry…” Read the full article here
By Helen Wang, March 11, '12
The judges this year are Boyd Tonkin (The Independent), Hephzibah Anderson (writer and critic), Nick Barley (Director of the Edinburgh International Book Festival), Professor Jon Cook (Director of Creative and Performing arts, University of East Anglia) and Xiaolu Guo (who was shortlisted for this prize for her novel Village of Stone). There are fifteen on the long list. The winner will be announced at the London Bookfair on Monday 16 March [sorry, this should be Monday 16 April]. See the article in The Independent (http://www.independent.co.uk/arts-entertainment/books/features/the-independent-foreign-fiction-prize-longlist-spans-a-planet-of-stories-7545606.html).
By Helen Wang, March 11, '12
“The Bookworm International Literary Festival is a unique celebration of literature and ideas in China, programming 100 events across three cities, connecting over 70 Chinese and international writers and thinkers.”
