Eric Abrahamsen (1978 – )

worldcat / academia


Eric lived in Beijing from late 2001, when he studied Chinese at the Central University for Nationalities, until the end of 2016. He began struggling through Wang Xiaobo at an early date, and kept at it through the intervening years. He is the recipient of a PEN translation grant for Wang Xiaobo's My Spiritual Homeland and a NEA grant for Xu Zechen's Running Through Zhongguancun, later published as Running Through Beijing, which was shortlisted for the National Translation Award.

His short-story translations have appeared in magazines including The New Yorker, Granta, and n+1. He also writes occasional cultural criticism, which has appeared in the New York Times and Foreign Policy, among other venues.

Eric also runs a US-based company called Coal Hill Books which provides rights agency and publishing consulting for Chinese and international publishers seeking to do business with each other. You can reach him there at


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Novels (2)

Essays (2)

Short stories (17)

As Editor


The Royal We

By Eric Abrahamsen, September 20, '11

Seems like all the literary events I've been to recently have been about A Yi's new book, Guaren ( , literally "the lonely one", a term the Emperor used to refer to himself). The book is hard to categorize: taken largely from a blog he once kept on the cutting-edge "Bullogger" blogging platform, it consists of short chunks – anywhere from a sentence to ten pages – of writing, some chunks obviously fictional, some more journal-like. Among them are early forms of some of his stories – "The Bird Saw Me" and Cat and Mouse (which is appearing in Today magazine next month, under a new title, I forget which) – as well as, one assumes, some ideas that never made it into fiction at all. One of these, titled "Warmth", I've translated below. Enjoy!


Beijing International Book Fair, Days 2 and 3: Writers Get Hot

By Eric Abrahamsen, September 6, '11

After a fairly lukewarm showing on Day 1, attendance at the book fair spiked noticeably on September 1st and 2nd. A number of the major Chinese publishers (like Fonghong and People’s Literature) held their major events during these days, and the digital publishing booth had a fairly full schedule. Open Book, Ltd. gave two presentations on the 1st related to digital publishing in China, the first a market analysis and the second designed around the results of a reader’s survey carried out among online readers and bookshop visitors.


Chutzpah/Peregrine Downloads

By Eric Abrahamsen, May 14, '11

Back in March we mentioned on the newsletter that Ou Ning had started a new literary magazine called Chutzpah (天南 in Chinese). It's got a English-language supplement (Ou Ning refers to it as a "parasite") called Peregrine featuring English translations of some of the content. The first issue of Peregrine is available for download as a PDF here. Translators include Lucy Johnston, Julia Lovell, Anna Holmwood, Dinah Gardner and Shumei Roan, translating Li Rui, A Yi, Gu Qian, and Liu Zheng, take a look!


Inventory: Call For Submissions

By Eric Abrahamsen, March 17, '11

Inventory is calling for submissions for its second issue, deadline June 2. From their submissions guidelines (PDF):

Inventory publishes thoughtful translations and focuses critical attention on translation theory and practice. Based in Princeton University’s Department of Comparative Literature, Inventory finds and catalogues original translations of poetry and prose from any language into English, provides critical texts on the subject of translation, and offers suggestions by leaders in various fields of translation work left to be done.

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Two Sites

By Eric Abrahamsen, March 17, '11

Two websites to draw your attention to:

Artspace China is a blog run by Christen Cornell, a PhD student at the University of Sydney. It's got lots of great stuff about all the Chinese arts, with a fair helping of Chinese literature in particular.

We can't really read china traducida y por traducir, given that it's in Spanish, but the website, run by Spanish-language translators, aims to do something like what we do here, except in… Spanish. A sister site!



By Eric Abrahamsen, March 14, '11

Some of you have noticed the industry newsletter signup form at the top right of the Paper Republic home page, and have obediently signed up without really knowing what you were in for—we salute you!

For the rest of you: Paper Republic has started publishing a free monthly email newsletter carrying all sorts of information about the Chinese publishing industry. It is edited by Bruce Humes, with the assistance of Alice Wang. This is mostly aimed at those expecting to do some sort of business related to Chinese publishing, but much of it will also be of general interest. You can subscribe at this page.

Two issues have already gone out, and now we're making some minor adjustments to the program: namely, you can now browse the contents of earlier issues (though the most recent issue will always only be available through email), and we've changed the format of the newsletter itself so it's less Wall Of Text.

As always we welcome feedback, in the comments if you like, or in this case you can email the Bureau of Newsletter Production directly at


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"Choir of Soloists" Ceases Publication

By Eric Abrahamsen, December 27, '10

Han Han just posted to his blog, confirming rumors that his magazine Choir of Soloists (独唱团) will be shutting down after the first issue.

As you might imagine, Han Han can't get terribly specific about the exact causes of the shutdown—he appears not to be sure of the details himself—but it's pretty obvious that by the time every official body who could possibly have an opinion about the magazine had gotten through expressing that opinion, publication was impossible.

"…perhaps there are just too many 'relevant departments' and 'relevant people' in China, too many people determined to see cultural reading materials become cultural relics…"


Flash the Global Times

By Eric Abrahamsen, November 20, '10

This is a bit beyond our bailiwick, but it sounds like fun: The English version of the Global Times is running a flash-fiction competition, with fabulous prizes etc. Apparently you need to be an English-language writer, in Beijing. Deadline is late December, here's the blurb:

Writers of Beijing, lend us your biros. The Global Times Beijing Metro wants your smoking nuggets of flash fiction (1,000 words MAX). If you're one of our winners, you'll find yourself published in an anthology of Beijing fiction, and could win books or even a 5,000 yuan cash prize.

(also find us on Google Buzz for updates)

Flash Fried Fiction team

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Get It Louder literary events: Shanghai

By Eric Abrahamsen, October 17, '10

It seems that, for the Beijing Get It Louder events we could have done a slightly better job of, ahem, publicity, so I'm getting the word out early about Shanghai. Here's the full list for literature (follow the links for film and art, etc). Individually:

All events are at the 800Show site. All are free, but the INS Shanghai Declaration on Inauthenticity requires advance signup, you can email me for that.

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By Eric Abrahamsen, October 9, '10

Just got back from another of the Get It Louder literary events, this one on science fiction, featuring Han Song, Pan Haitian and Fei Dao. There will be a proper post on this at some point, but I needed to say that after tonight's event I feel more hopeful about the future of Chinese literature than I have in years. Who says that science fiction/fantasy is only good for escapism? Over the course of two hours we got: the Communist ideal as science fiction; designs for anti-urban-demolition weaponry, to be distributed to the populace; both internet firewall technology and anti-firewall-technology as China's two greatest inventions since the compass; correlations drawn between The Matrix and Lu Xun; multiple references to Liu Xiaobo's winning of the Nobel Peace Prize.

I have never heard any Chinese writers speak as incisively or as passionately about the Chinese condition as did these few sci-fi writers tonight. Perhaps the burden of "speaking for the country" has proved too weighty for those designated as China's "serious" authors; at any rate these sci-fi writers, charged with nothing more than entertaining themselves and their readers, came out with all the intelligence and ferocity that we've been missing these many years… If this is how it's going to be done, then bring it on!


Down South

By Eric Abrahamsen, October 7, '10

I got back to Beijing from Sydney yesterday, where I was lucky enough to have been invited by the Writing and Society Research Group of the University of Western Sydney (actually a front for the guerilla publishing and literary activities of one Ivor Indyk, the man behind Giramondo Publishing and HEAT magazine), to run on at the mouth about Chinese literary translation at a symposium entitled the Sydney Symposium on Literary Translation

Before you raise an eyebrow, I'll admit I was junior member at what was largely a gathering of really pretty intimidating literary and academic figures—I was approximately fifteen years and two university degrees behind the median. But that made for a wonderful experience: a relatively small group of people presenting fascinating papers and talks on topics ranging from poetry to "the classic" to "nonsense", drawing from languages including French, Italian, Chinese, Spanish, Japanese and Aboriginal Australian.


On the ABC

By Eric Abrahamsen, October 6, '10

I've just got back from a literary translation symposium in Sydney (more on that anon), and while there I also did a radio interview for the Australia Broadcasting Corporation which can be accessed, if I'm not mistaken, at this link.

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