Nicky Harman

Literary translator.

London, UK

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Nicky Harman lives in the UK. She taught on the MSc in Translation at Imperial College until 2011 and now translates full-time from Chinese. She focusses on fiction, poetry and occasionally literary non-fiction, by authors such as Chen Xiwo, Han Dong, Hong Ying, Dorothy Tse, Xinran, Yan Geling and Zhang Ling. She is a regular contributor to the literary magazines Chutzpah, and Words Without Borders, and also organizes translation-focused events, mentors new translators and was one of the judges for the Harvill Secker Young Translators Prize 2012. Also occasionally reviews China books for the UK's Tribune magazine (eg review of Sheng Keyi's Death Fugue, Giramondo, 2014)

Winner of first prize in the 2013 China International Translation Contest, Chinese-to-English section, with Jia Pingwa’s "Backflow River", 倒流河

New work:

The Book of Sins by Chen Xiwo to be published by MakeDo Publishing, October 2014.

White Horse, novella by Yan Ge, Hope Road Publishing, October 2014.

A collection of novellas by Xue Mo, winter 2014.

Other 2014 publications:

The Unbearable Dreamworld of Champa the Driver by Chan Koon-chung, Doubleday, April 2014.

Snow and Shadow, short story collection by Dorothy Tse, East Slope Publishing, March 2014.

A New Development Model and China’s Future, by Deng Yingtao, Routledge, March, 2014.

The Stone Ox that Grazed, short story by Sun Yisheng in Asymptote, April 2014.

A Loud Noise, poems by Han Dong, March 2014.

Other Published Translations in date order:

Urban Control and the Modernist City - essay by Leung Man-Tao, in LA Review of Books, originally appeared in Paper Republic, August 2013.

Woman Fish, by Dorothy Tse, for the Guardian newspaper, March 2013

The Shades who Periscope through Flowers to the Sky, by Sun Yisheng, for Words Without Borders, December 2012, and Dad, Your Name is Bao Tian, by Sun Yisheng, for The World of Chinese, March 2013.

Old Man Xinjiang, by Xue Mo, in China Stories for the Guardian newspaper, April 2012.

The Man with the Knife by Chen Xiwo, for Words Without Borders, November 2012

'Goodbye to Anne', in the novella collection The Road of Others, by Anni Baobei, Makedo Publishing, 2012.

Throwing out the Baby, by Xu Zechen, in Words Without Border, April 2012.

Shi Cheng: Short Stories from Urban China, Comma Press "Tales from Ten Cities" series, the two by Han Dong and Ding Liying, 2012

Flowers of Nanjing by Yan Geling, , published by Chatto and Windus, January 2012

A Phone Call from Dalian: Selected Poems by Han Dong, published by Zephyr Press, April 2012. Multiple reviews including World Literature Today and Peony Moon

The Eye of the Eagle, short story by Bai Hua, published by Hope Road Publishing

Prize-winning novel Gold Mountain Blues/Jin Shan by Zhang Ling, published by Penguin Canada

Short stories for Ou Ning's Shenzhen & Hong Kong Bi-city Biennale of Urbanism/Architecture, 2009, and literary magazine Chutzpah, 2010 and 2011.

Message from Unknown Chinese Mothers (Author: Xinran), Chatto & Windus, 2010.

China Witness (author: Xinran), oral history Co-translator with Esther Tyldesley and Julia Lovell. Chatto & Windus , 2008.

Banished! (author: Han Dong) (《扎根》 韩东), novel. University of Hawai’i Press, 2009. Won a PEN Translation Fund Award (2006) for this work. Longlisted for Man Asian Literary Prize, 2008.

‘Long Corridor, Short Song’ (author: Zi Ren, in To Pierce the Material Screen: An Anthology of 20th Century HK Literature, to be pub. Renditions, Hong Kong 2008); (《长廊的短调》 梓人) short story.

China Along the Yellow River (author: Prof. Cao Jinqing, pub. Routledge Curzon, December 2004); (《黄河边的中国》 曹锦清) sociology of rural China.

K – The Art of Love (author: Hong Ying, pub. Marion Boyars, 2002); (K 虹影) novel.

BEYOND TRANSLATING – MY OTHER ACTIVITIES

Harvill Secker Young Translator Prize I was a judge for this prize for the year 2012, when the language was Chinese and the author whose work entrants translated was Han Dong.

Translator-in-Residence I was Translator-in-Residence at London’s Free Word Centre, in the autumn of 2011, organizing a programme of talks and workshops which focused on Chinese and on translation but were intended for a general (non-Chinese-speaking) audience. For example, Isabel Hilton spoke on ‘Translating the Environment’ and her website China Dialogue; Fuschia Dunlop talked about translating Chinese food and brought us samples to taste; Brian Holton ran a workshop on translating Chinese classical poetry; and, with Rosalind Harvey, I ran a Bookclub Fest (sort of ‘speed-dating’ for Bookclub enthusiasts: four translated short stories to discuss in two hours).

Working with young people I use a clip from the Chinese cartoon film, Monkey, to work with young people on translating and creative story-telling/writing. I tell them that by the end of the session (about an hour), they will be able to translate the dialogue. I then tell them that translators have to do a bit of inspired guessing too. As we watch the clip, I also get them to repeat a few of the more entertaining bits of the dialogue. I've done this at various venues, including Nottingham Night of Festivals 2012, the Islington Chinese Association 2012, (part of the Islington Word Festival,) and in secondary schools - in places where the students know some Chinese, and where they know none at all.

Podcasts I have collaborated with Steve Wasserman to provide podcasts for his Short Story Bookclub and Read Me Something You Love. He podcast a Han Dong short story, The Deer Park and I read some of Han Dong’s poems for Read Me Something You Love.

Guardian newspaper I co-edited a series of five short stories translated from Chinese for the Guardian Online book pages, and wrote an accompanying article, in the week leading up to the London Bookfair, April 2012.

Mentoring new translators I have mentored a new translator, Anna Holmwood for the first British Centre for Literary Translation mentorship scheme, 2010, and will continue to mentor translators under the same scheme in 2012.

China Inside Out day at English PEN, March 2012. I helped plan this event and was instrumental in bringing over from China writers, a translator and a director for a fascinating day-long programme of debates, readings, film screenings and music.

I also run the "China Fiction Bookclub", an informal group of Chinese speakers who meet every couple of months in London to discuss and practise translating a variety of short stories or novel excerpts. All welcome. Contact me for details. Also on Twitter: @cfbcuk

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Research publications:

What's that got to do with anything? Coherence and the translation of relative clauses from Chinese. In Journal of Specialised Translation (www.jostrans.org) issue 13, January 2010

Foreign Culture, Foreign Style: a Translator’s View of Modern Chinese Fiction. In Perspectives: Studies in Translatology 14(1): 13-31. (2006).

Beyond Paper Dictionaries: Mining the Web for Technical Terminology in Chinese (available from http://isg.urv.es/cttt/cttt/research.html, or on request from NH).

Visiting Fellow at the Research Centre for Translation at Chinese University Hong Kong, April 2006. Visiting Scholar, Fudan University and Beijing University, China, 2008.

 

Nicky's sample translations:

Works by Nicky Harman
So Black, December, 2013
Translated from Hao Hei, by Tse Dorothy (Hiu Hung)
Gold Mountain Blues, December, 2011
Translated from Jin Shan, by Zhang Ling
Message from an Unknown Chinese Mother: Stories of Loss and Love , January, 2010
Translated from Zhongguo Muqin, by Xinran Xue Xinran
Banished!, January, 2009
Translated from Zha Gen, by Han Dong
China Witness (with Julia Lovell and Esther Tyldesley), January, 2008
China Along the Yellow River, December, 2004
K: The Art of Love, June, 2004
Translated from K, by Hong Ying
A Phone Call From Dalian (with Yu Yan Chen, Michael Day, Tony Prince, Tao Naikan and Maghiel van Crevel)
Translated from Yige Laizi Dalian de Dianhua, by Han Dong
 

New Goodreads list: China Fiction Book Club

China Fiction Book Club (Twitter @cfbcuk) is now on Goodreads.com. We are on their lists - Listopia - and can be found by typing in any of a number of keywords e.g. Chinese + translated + fiction. The point of it is to get an open-access list of published translations onto Goodreads. So... get posting, people! You can also vote for books already listed (Helen and I put up 20 or so, just to get the list started) if you want.

By Nicky Harman, September 3 '14, 11:07a.m.

1 comment, viewed 68 times

Free Word Centre, London, 21 July 2014

If you're in London, come and join a lively discussion about the possibility and impossibility of translation, at the FreeWordCentre. Joining Xiaolu Guo for the evening's discussion are her editor-turned-agent Rebecca Carter, and Free Word's former Translator in Residence Nicky Harman. Together, they'll use the novel, I am China as a starting point to explore questions of translation, censorship, Chinese culture, and what it means to call a country your home. Book in advance. It's 21 July 7pm.

By Nicky Harman, July 10 '14, 4:40a.m.

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International Translation Day, British Library, 26 September 2014

Save the date.

Booking here: http://www.bl.uk/whatson/events/event162774.html

By Nicky Harman, June 13 '14, 12:49p.m.

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China's Banned Books

Great interview on BBC World Service "Fifth Floor"

From the Beeb: "Chan Koon Chung is a Chinese author who writes about ethnicity, sex, and other provocative issues in China. His latest novel has been banned, although like other writers who delve into taboo subjects he remains free to live and continue writing from within China. The book is called The Unbearable Dreamworld of Champa the Driver, and to talk about its themes we've bring together Vincent Ni from BBC Chinese and Juliana Liu who is based in Hong Kong."

With @nivincent, @julianaliu on @BBC5thfloor http://www.bbc.co.uk/programmes/p01z6f5z.

But please! #namethetranslator

By Nicky Harman, May 23 '14, 8:25a.m.

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2014 Translation Database at Three Percent's website

2014 Translation Database at Three Percent is an inspiring list in lots of languages. Any books not on the list? Contact: chad.post@rochester.edu and he'll add them.

By Nicky Harman, May 21 '14, 11:40a.m.

2 comments, viewed 74 times

"Translate in the City" Literary Translation Summer School 2014, London, UK

Monday 23rd- Friday 27th June 2014. Details here

By Nicky Harman, April 4 '14, 3:53p.m.

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New story by Wu Ming-yi

Beijinger Dave Haysom has uploaded a new story, ‘The Magician on the Footbridge’, by Wu Ming-yi here.

By Nicky Harman, March 30 '14, 5:10a.m.

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The Weird and Wonderful World of Dorothy Tse's Hong Kong - review by ARB

Asian Review of Books' Peter Gordon has just reviewed Snow and Shadow, short stories by Dorothy Tse, translated by me. Great, thought-provoking review.

By Nicky Harman, March 30 '14, 5:07a.m.

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Reviewing translations: Jonathan stalling, Chinese Literature Today

I (Nicky) was very struck by JS's review of a review in LA Review of Books of Mo Yan's Sandalwood Death. It appeared on the MCLC list. His words immediately reminded me of the endless debates we've had in UK among translators, about how we'd like our translations reviewed, and the struggles to remind even long-established cultural institutions like the BBC that translations of poetry and fiction should be credited when they are broadcast, not treated as if the author had originally written in English. With Jonathan's permission, I have reproduced his letter to the list here. In the event, it sparked off a lively debate, including contributions from the reviewer, Jiwei Xiao, herself. Those interested can join the list to read the whole thread.

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I was quite excited to discover that at long last the LARB had published a review of Mo Yan’s Sandalwood Death. As the editor of the CLT Book Series that published Howard Goldblatt’s English translation of the novel at the beginning of 2013, I had all but given up on the LARB reviewing it. By the time I reached the end of this substantial review, however, I had to face a rather peculiar and unsettling reality: after nearly 2,400 words, the reviewer, Jiwei Xiao, never mentions the fact that the book she is reviewing is Howard Goldblatt’s English translation of Mo Yan’s novel. I may be a bit more sensitive to this omission given the fact that I, as the editor and a translator myself, am quite excited by the attention Goldlatt’s translation is getting from the translation community: the book has already been nominated for several awards, and, in fact, only a few months earlier Goldblatt had been interviewed by LARB about his translation work!

So while Xiao quotes liberally from the English text (sans citations), she never mentions even once that the book under review is not《檀香刑》, which was published well over a decade ago, but is instead its English translation. Of course, any review of translated literature will necessarily focus on the merits of the original, but at the very least professionalism requires a reviewer to acknowledge the work of the translator in some form. Most of the time readers rely on a review to find out whether a book is a good read in English, so it is important for a reviewer to offer a critical opinion on this matter so the reader can make an informed decision. In this review, however, the reader is invited to enter the original text as if it were still in Chinese, yet miraculously transparent to the English reader’s mind.

The reviewer spends a fair amount of time discussing the “dissonant sounds” upon which “the novel was inspired,” and while Mo Yan’s aural ingenuity naturally rests at the heart of the reviewer’s commentary, it is important to note that these aural textures were delicately and boldly translated into English by Goldblatt. In fact, I would argue that these challenging moments constitute some of the most formally experimental—and successful—moments in Goldblatt’s esteemed career. When I first read the translated manuscript, I marveled at his ability to imbue the English with a parallel set of aural textures (rhyme, meters, vocables, etc.), producing often uncanny results.

Yet this is not really what left me feeling so uneasy. Instead, I fear that there remains a deep and stubborn refusal to take translation (and translation studies) seriously enough within both Chinese Studies and our broader public literary culture (after all, the LARB editors must have first read this piece before publishing it). I am not going to speculate on the latent ideological (or epistemological) conditions that undergird moments like these, but I do feel we must take such opportunities to refocus attention on the collaborative nature of world literature translated into English. As most people know, literary translators are incredibly important cultural producers and yet most of them struggle to make a living wage from their work. In fact, a recent report by the Conseil Européen des Associations de Traducteurs Littéraires concludes with the following observation: This survey clearly shows that literary translators cannot survive in the conditions imposed on them by "the market". This is a serious social problem on a continent that is meant to be developed, multilingual and multicultural, but it is also and most importantly a very serious artistic and cultural problem. Indeed, what does it say about the quality of literary exchange between our societies if literary translators are forced to dash off their work just to be able to earn a basic living?

The objectives outlined by UNESCO in its 1976 Nairobi Recommendation are far from being realised, that is the least one can say. It’s time to act! (www.ceatl.eu)

What is true in the European context is even worse in the US (and for Chinese-English-Chinese translation, the pay scale of which is often calculated in RMB as a way of lowering the cost). Translators work for many of the same mysterious reasons writers do—not because it pays well (though I hope this can be remedied soon), but to contribute to the cultural work of our time, to participate in the global conversation of literature itself. If our work as translators is not discussed in reviews of our work (or even simply acknowledged), when, pray tell, will it be?

It is important for me to note, however, that I believe Professor Xiao would have gladly incorporated her thoughts on the translated nature of the text had it been brought up in the editing/review process, or if it had been listed as a prerequisite on the LARB contributor information page, or if there existed broader university support of and academic/prestige capital invested into translation inside the realm of Chinese Studies. So I do not wish for the instructive moment of this review to be reduced to a critique of this review alone (for clearly Professor Xiao has many interesting things to say about this novel), but as a general reminder to all reviewers (and to those of us who publish them) to spend a moment engaging with (or better yet, exploring) the translative nature of world literature, for this is our responsibility, not to mention one of the great joys of our work.

Jonathan Stalling Chinese Literature Today

By Nicky Harman, January 8 '14, 11:03a.m.

6 comments, viewed 255 times

2013 - roll call of Chinese-to-English fiction and poetry translations

Here's this year's list, compiled by Nicky Harman and Helen Wang. Feel free to add any we've missed out:

Ten Loves by Zhang Yueran , translated by Jeremy Tiang , pub. Math Paper Press, Singapore

Island of Silence by Su Wei-chen , translated by Jeremy Tiang , pub. Ethos Books, Singapore

Durians Are Not The Only Fruit by Wong Yoon Wah , translated by Jeremy Tiang , pub. Epigram Books, Singapore

Tongwan City by Gao Jianqun, translated by Eric Mu, pub. CN times Books.

I can almost see the clouds of dust, poems by Yu Xiang, translated by Fiona Sze-Lorrain, pub. Zephyr Press and Chinese University Press of Hong Kong (bilingual)

Canyon in the body, poems by Lan Lan, translated by Fiona Sze-Lorrain, pub. Zephyr Press and Chinese University Press of Hong Kong (bilingual)

Wind says, poems by Bai Hua, translated by Fiona Sze-Lorrain, pub. Zephyr Press and Chinese University Press of Hong Kong (bilingual)

Other Cities, Other Lives by Chew Kok Chang , translated by Shelly Bryant , pub. Epigram Books, Singapore

Mr Ma and Son by Lao She , translated by William Dolby , pub. Penguin Modern Classics

Cat Country by Lao She , translated by William A Lyell , pub. Penguin Modern Classics

Irina’s Hat: New Short Stories From China by Authors and translators various , translated by ed. Josh Stenberg , pub. Merwin Asia

Last Quarter of the Moon by Chi Zijian , translated by Bruce Humes , pub. Harvill Secker

The Song of King Gesar by Alai , translated by Howard Goldblatt , pub. Canongate Books Ltd

Black Flame by Gerelchimeg Blackcrane , translated by Anna Holmwood , pub. Groundwood Books of Toronto, Canada (in association with Anansi Books)

For a Song and a Hundred Songs: A Poet’s Journey Through a Chinese Prison by Liao Yiwu , translated by Wenguang Huang , pub. New Harvest Books

The Matchmaker, The Apprentice and The Football Fan by Zhu Wen , translated by Julia Lovell , pub. Columbia University Press

The Earnest Mask by Xi Ni Er , translated by Howard Goldblatt & Sylvia Li-chun Lin , pub. Epigram Books, Singapore

The Man With The Compound Eyes, by Wu Ming-Yi, tr Darryl Sterk, pub. Harvill Secker

Every Rock a Universe: The Yellow Mountains and Chinese Travel Writing, writings by 17th century poet and artist Wang Hongdu, translated by Jonathan Chaves (Floating World Editions). Review forthcoming in Chinese Literature: Essays, Articles, Reviews.

Search for the Buried Bomber, by Xu Lei, tr. Gabriel Ascher, pub. AmazonCrossing

More…

By Nicky Harman, December 13 '13, 1:28a.m.

11 comments, viewed 467 times

Translator Residencies, London 2014

Free Word London ("a global meeting place for literature, argument and free thinking") are offering two places on its Translators in Residence programme for 2014. Any languages can be offered by interested applicants. More information, including deadline for application, available here: http://www.freewordonline.com/info/work-for-us/

By Nicky Harman, August 1 '13, 10a.m.

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A subtitler's eye view on translating from Chinese

Here is a fascinating podcast on translating and subtitling and working with Chinese directors from That's Beijing. With Brendan O'Kane and Linda Jaivin.

By Nicky Harman, April 23 '13, 5:38a.m.

1 comment, viewed 188 times

Thought-provoking: Translator as the maker of originals?

Karen Emmerich on Words Without Borders. This link is to part 2 of her essay, follow WWB link for part 1. http://wordswithoutborders.org/dispatches/article/the-making-of-originals-the-translator-as-editor-part-2

By Nicky Harman, April 6 '13, 6a.m.

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Translation thrives on Twitter

Some of you will have noticed that the London–based China Fiction Book Club, has a thriving twitter account, @cfbcuk. Launched, serendipitously, the day of the announcement that Mo Yan had won the Nobel Prize for Literature, it's going strong and has nearly 200 followers…(198 today and counting. Several new followers arrived between yesterday and today as a result of the Dorothy Tse story which appeared in the Guardian). PLUS Helen Wang has launched 3 more Twitter accounts, all worth browsing: Story of the Stone @caoxueqin1760; Lin Yutang @lytwords; and – together with the Emerging Translators Network - Translated World, @translatedworld. These have daily posts - have a look. If you don't yet have a Twitter account, then google the @names and you can reads the tweets...

By Nicky Harman, March 22 '13, 7:17a.m.

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Chinese writer features in new Guardian newspaper series of water-themed stories

"Writers have long been fascinated by the wet stuff, and now we're opening the floodgates on a series of aquatic-themed short stories" says Richard Lea in the Guardian today. The Guardian has featured Chinese fiction before - five short stories translated from Chinese marked last year's London Book Fair. The current collection of "water" stories are from all around the world, some written in English, others translated. Dorothy Tse (谢晓红)wrote one in Chinese especially for this series, and it's translated by me.

By Nicky Harman, March 15 '13, 11:25a.m.

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