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Sima Qian: Qu Yuan and the Fisherman

By Brendan O'Kane, June 20, '07

It's Duanwu Jie 端午节, the Dragon-Boat Festival. If we were in Hong Kong or Taiwan, we'd get a day off. No such luck here, so I'm blogging on my lunch break in honor of the holiday instead.

The Dragon-Boat Festival commemorates the death of 屈原 Qu Yuan, China's first poet. Qu was a minister in the pre-Chinese state of Chu during the 战国 Warring States period, and after arguing for more reasonable policies he was slandered by jealous court insiders and exiled by the king of Chu, to whom he was intensely loyal. Heartbroken, his faith in mankind shaken, Qu dashed off a few more poems and then walked into the Miluo River holding a stone. The dragon boats from which Duanwu Jie gets its English name are supposedly rushing to retrieve his body before it could be eaten by the fish, though in reality it's a separate tradition that just happened to get associated with Qu later on.

Qu is the first poet whose name is known, and there are a few works (particularly 离骚 'On Encountering Trouble' ) that are attributable to him with a fair degree of certainty. Others are traditionally attributed to him but clearly the work of later poets, like the poem 怀沙, 'Embracing Sands,' which Qu supposedly wrote immediately before chucking himself into the river. The great Han-dynasty historian 司马迁 Sima Qian recounts the events leading up to Qu's suicide as follows:

Qu Yuan wandered in his banishment, murmuring poems as he walked along the bank of the Miluo River, disheveled and emaciated. A fisherman saw him and asked:         Aren't you His Excellency the minister? What has laid you so low? Qu Yuan replied:         For all the world is muddy and I alone am clean; for all men are drunk and I alone am sober -- it is for this that I was exiled. The fisherman said,         A sage does not stay apart and aloof, but adapts to his environment.         If all the world is muddy, why not beat up the mud and stir up waves?         If all men are drunk, why not lap at their lees and drink their dregs?         Why get yourself exiled because of your deep thoughts and noble aspirations? Qu Yuan replied,         I have heard that who has rinsed his hair then brushes his cap; who has washed his body then shakes his clothes.         One does not sully his own cleanliness with filthiness.         I would rather jump into the river, bury myself in the bellies of the fishes,         Than suffer my own purity to be covered by the dirt of the vulgar world. Hearing this, the fisherman smiled and began row away, singing as he went:         When the river water runs clear and fleet         It's fit to rinse hat-tassels in.         When the river water's full of murk,         'Twill still suffice to wash my feet. And he went on his way without saying anything more.

Happy Dragon-Boat Festival.

(Click the title to see the original Chinese text)

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Chinese rock lyrics in translation: Second Hand Rose ("Let the Artists")

By Cindy M. Carter, June 13, '07

This may be beyond the ken of our literary website, but singer Liang Long (of the Chinese rock band Second Hand Rose) writes some of the wittiest, most cunning lyrics around. Here's a sample translation, good fun for all. Click for posting that includes both Chinese lyrics and English lyrics in translation:

"Let the Artists [be the first to strike it rich]"

...I’m a packet of STD meds
That the spouse opens when your back is turned
I’m a demigod who broke all of heaven’s rules
And got kicked back down to earth...

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Excerpt from Yan Lianke's Dream of Ding Village

By Cindy M. Carter, June 12, '07

A very short translated excerpt from the first page of Yan Lianke's 2006 novel, Dream of Ding Village (丁庄梦). When he is at his best, Yan is an extraordinarily lyrical writer who uses rhyme, rhythm, repetition and cadence to great effect. The first chapter of Dream of Ding Village is a joy to read aloud in Chinese - musical and prose-poetic, it establishes the tone of the entire novel and introduces refrains that the author returns to again and again. I am not sure that I have done this justice in my translation, but it is a labor of love and a work in progress.

"A day in late autumn, a late autumn dusk, the dusk of a late autumn day. Because of the autumn, because of the dusk, the sun that sets above the East Henan plain bloods up into a ball, making red of earth and sky..."

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Editors: what are they good for?

By Eric Abrahamsen, June 2, '07

During a long dinner with Lu Li and her husband a few weeks ago, she further confirmed something that I've suspected for a while: editors at Chinese publishing houses generally don't edit. Proofread – yes; censor – most definitely. But as for actual editing… She said the best she got was typically along the lines of "we like this story", or "this one's boring in the middle". There may be publishers out there who take the time to understand a writer's work, and help bring it closer to its ideal state, but they appear to be in the minority.

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Welcome, and pardon the mess

By Eric Abrahamsen, June 1, '07

Many thanks to Jenny Niven and Time Out Beijing for the article – as you can see we’re still in the process of setting up shop. Things are a little thin at the moment, but please stop by over the next week as we get underway, or better yet subscribe to the RSS feed on the right. Thanks for visiting!

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