Alice Xin Liu 刘欣


Alice was born in Beijing but left for London at the age of 7, returning when she was 21. She is a graduate of English Literature, Durham University, but her Chinese cadre grandparents were the main force behind her education.

She has translated poems by Sen Zi for the Copper Canyon Press poetry anthology Push Open the Window and has an ongoing contract with a Chinese publishing house to translate The Letters of Shen Congwen. Her translations have appeared on the website of Granta magazine, Chutzpah!, Asymptote, and Words Without Borders. She is currently translating Han Han's next non-fiction book, compiled by her and her co-translator Joel Martinsen for Simon and Schuster.

As of September 2011, she is the managing editor of Pathlight: New Chinese Writing, a new English literary journal jointly produced by Paper Republic and People's Literature.


Read Now: Around the Web

No One Fought Back Then by Kang He N+1
Last of the Aristocrats by Zhang Yihe Words Without Borders
Petty Thief by A Yi Granta

Original Works

Poem (4)

All Translations

Short story (2)

Novella (1)

Novel (1)

Excerpt (2)

The Paper Republic database exists for reference purposes only. We are not the publisher of these works, are not responsible for their contents, and cannot provide digital or paper copies.


Pathlight "The London Book Fair" issue available to download

By Alice Xin Liu, April 25, '12

The second issue of Pathlight: New Chinese Writing, themed “The London Book Fair,” is now downloadable as Epub (most devices including Apple) and Mobi (Kindle devices) by following this link!

The kind of writing that is coming out of China right now include chick-lit, family-orientated dramas, tales of escape from the rural to the urban, of grievous policies in the countryside, science fiction, and historical epics. It’s possible that we cover all of those topics in the new issue.

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Ou Ning in conversation with Granta

By Alice Xin Liu, November 25, '11

Granta magazine was established in 1889 at the University of Cambridge, named after the river that later became the River Cam.

It has a reputation for being highbrow and presciently published 12 future Booker winners and various Nobel laureates.

Chutzpah! magazine (天南) was established by art curator and poet Ou Ning (欧宁), and so far has only put out four issues. Like Granta, Chutzpah! themes their issues - they are Agrarian Asia, Universal Narratives, Mapping Poetry and Vision of Eros.

On November 20th, the editor and deputy editor of Granta John Freeman and Ellah Allfrey participated in a talk with Ou Ning at One Way Street to discuss the “life and death of literary journals.”

Here is a transcript taken from my notes - readers are welcome to listen to the video linked at the bottom.

John Freeman: Granta was established more than 100 years ago by students at Cambridge. Then American Fulbright scholars restarted it.

Magazines are like blank canvases; without it artists can’t do anything.

Giving writers a space depends on who is available at the time and our ability to find them. Granta’s mission is to find the right writers. We’ve published Czech, Latin American and French writers amongst others, including Kundera, Llosa, Márquez.

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On two recently released novels by Chinese American authors

By Alice Xin Liu, July 14, '10

I was really excited when I saw the title Girl in Translation (published by Penguin), but I didn't know it was going to be a book of literal translation.

The author of Girl in Translation is Jean Kwok. The description on *Girl in Translation is as follows: "When Kimberly Chang and her mother emigrate from Hong Kong to Brooklyn squalor, she quickly begins a secret double life: exceptional schoolgirl during the day, Chinatown sweatshop worker in the evenings."

But what becomes nagging after a while is then obvious - the author translates literally:

"The white disease" for leukemia," “small-hearted" for be careful and "release your heart" for don't worry. Asked about this in the Danwei interview, she said that the reason was this: “It took me ten years to write this novel and one of my goals was to develop a technique that would show English-speaking readers what it was like to be a native speaker of Chinese. I wanted to put the reader into the head and heart of a Chinese immigrant. English comes in garbled and incomprehensible, while the beauty of the Chinese language is easily understood.”

I wonder if when Chinese people say 小心, they really think of small hearts, or when they say 放心, they think of release. With no disrespect for the Kwok, these are just general questions that are interesting.