I am careful in transferring the 'heterogeneous nature' of the original style. Haruki's style has an American flavor, even an unique style 'with several inventions,' which basically means that it's Japanese that doesn't look like Japanese, but Japanese with overtones of English in translation. What I do is simple, since Murakami's writing doesn't look like traditional Japanese, then my translation shouldn't look like literary work that has already been translated from the Japanese, and I try my best to dissipate the accent of normal Japanese translations, and take care to conserve the original text's freshness and appealing strangeness, as well as the beauty of its heterogeneity. At the same time, though, I try as hard as I can to transform it into natural and exquisite Chinese.