Eleanor Goodman Reviews Notes on the Mosquito by Xi Chuan

http://quarterlyconversation.com/notes-on-the-mosquito-by-xi-chuan

In the fourteen-page Author’s Afterward to his Selected Poems, Xi Chuan references or quotes from Tolstoy, Yang Lian, the Zhuangzi, the Indian social theorist Ashis Nandy, Eileen Chang, Leo Strauss, C.T. Hsia, Jonathan Spence, Milan Kundera, Li Bai, Czeslaw Milosz, the 20th-century sociologist Fei Xiaotong, ancient philosopher Han Feizi, Mao Zedong, Foucault, Tang dynasty literati Han Yu, and Goethe. This is not a poet who can be accused of parochialism. Yet Xi Chuan wears his erudition lightly, at least in the context of his verse. This is not to say that the poems do not give a sense of a formidable intellect behind them—they do—but what is striking in the poems is less Xi Chuan’s breadth of reference than his sense of humor, his humanity, and his attention to the smallest details of ordinary life, ranging from bodily functions to rats to the way drizzle soaks through socks.

Xi Chuan was born in 1963, just after the mass starvation of the Great Leap Forward, and was a small child during Mao’s Cultural Revolution. Lucky and talented enough to be one of the few children able to go to school at the time, he later went on to major in English at Beijing University. As translator Lucas Klein explains in his exemplary Translator’s Introduction, in the spring of 1989 Xi Chuan lost two close poet friends, Hai Zi and Luo Yihe, both of whom were also Beijing University students. Following on the heels of that trauma were the events in Tiananmen, which Xi Chuan participated in and suffered from. The pain of his friends’ deaths and the disillusionment he experienced after the government crackdown discouraged him from writing for nearly two years. When he resumed, his style had changed considerably from the Imagist Western-influenced Obscure Poetry exemplified by poets such as Bei Dao, Duo Duo, and Yang Lian. He moved toward a more philosophical and less lyrical prose poetry that contrasts with his earlier shorter, often nature-inspired work. His most recent poems play with ideas of paradox, inheritance, and the past, present, and future of civilization.

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