Variations on Utopia in Contemporary Chinese Science Fiction

http://www.jstor.org/discover/10.5621/sciefictstud.40.1.0086?uid=3738032&uid=2&uid=4&sid=21101948058621

In the near future of 2066, China dominates the world as its sole superpower. A team of Chinese go players is sent to the poverty-stricken United States to show off China’s cultural superiority. By 2066, the United States has been forced to adopt the policy of biguan suoguo [closing doors to the world], exactly what the Qing Empire, China’s last imperial dynasty, did in the nineteenth century when confronted by the aggressive expansionism of the Western powers. In 2066, however, China’s experience as a “weak nation” repeatedly invaded and manipulated by “strong powers” since the late Qing has been decisively erased: China and the West have reversed their roles in world politics and the Chinese are finally triumphant. This is the future setting that opens Han Song’s Huoxing zhaoyao meiguo: 2066 nian zhi xixing manji [Mars Over America: Random Sketches on a Journey to the West in 2066], a novel published in 2012 that presents readers with an apparently utopian vision of China’s rise. Under China’s global leadership, a new world order is being formalised and humanity enters a period of prosperity and peace…
Article by Mingwei Song, Science Fiction Studies, Vol. 40, No. 1 (March 2013), pp. 86-102.

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