Because Han Han is Too Damn Old
By Eric Abrahamsen, published
A week or so ago I attended the press conference for The Next (文学之新), a new literary competition designed to sniff out the newest in Chinese literary talent. Most of you may know this already, but Chinese writers are generally referred to by the decade of their birth. So-and-so is a 70s writer, or an 80s writer, etc. Whether there’s any real utility to this kind of classification I don’t know – I suppose it’s possible that China’s recent history has changed so dramatically, so swiftly, that any given ten-year cohort might actually have something in common.
The 80s writers were the last hit sensation, but the sad truth is that Father Time spares no one and they’re starting to show their age – graduating from college, developing taste in music, having sexual experiences, etc. The Next is the mutual brainchild of the Yangtze River Art and Literature Publishing House, Top Novel magazine, Penguin, Sina.com and the Qidian literature website, and the goal is a return to the purity of the under-25 set. The competition is accepting submissions from now until the end of September, following which comes several rounds of elimination: from 36 contestants to be announced in December, to a grand champion by next July. Each month in between will see another, smaller group of contestants announced in that month’s issue of Top Novel.
This competition is interesting both for the muscle behind it – major foreign and domestic publishing houses, as well as two of China’s largest internet portals – and for the judging panel. Top Novel magazine is an element of the Guo Jingming franchise, and Guo Jingming is the major star power behind this project. Guo, of course, is a definitive 80s writer – possibly the most famous of them, certainly one of the richest, without a doubt the most glittery. He’s on the judging panel, but right there with him is one of China’s hoariest authorities, Wang Meng. Wang Meng is a government writer of the old school: genuinely talented, a smart guy, but also a past master of toeing the line. The rest of the panel includes Zhang Kangkang, Wang Haipeng and Hai Yan – they’re aiming for a mix of market appeal and literary cred.
The press conference was a standard affair – emphasis on the fairness and openness of the competition, and major stress on picking works that are ‘positive’ (积极的) and ‘sunny’ (阳光的). Take heed, ye adolescents! If life sucks and you hate everybody, keep it to yourself! I’ll save the odiousness of ‘sunny’ as a mind-control adjective for another day. My favorite quote came from Guo Jingming, describing his reaction to the submissions so far: “Now I know how my esteemed colleagues on this panel must have felt when they read my writing for the first time. I just don’t understand it.”