Cindy Carter

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Cindy Carter is a Beijing-based translator of Chinese fiction, film, essay and poetry. She studied Japanese at U.C. San Diego and lived in Osaka for three years before coming to China as a language student in 1996. Since beginning her translation career in 1999, she has translated over forty independent Chinese films and documentaries and dozens of scripts, short stories, essays and poems. Her translation of Xiaolu Guo's novel Village of Stone (2004, Chatto & Windus, Random House, U.K.) was short-listed for the 2005 Independent Foreign Fiction Prize and long-listed for the IMPAC Prize.

Her recent translation projects include:

  • Yan Lianke's Dream of Ding Village, a novel about blood-selling and the AIDS epidemic in Henan Province (scheduled for publication in 2009 by Constable and Robinson, U.K.)

  • Yu Guangyi's Survival Song, a documentary about a family of hunter-trappers living in the wilds of Heilongjiang Province (Grand Prize winner, 5th China Independent Documentary Film Festival, Songzhuang, 2008; Grand Prize winner, Cinema Digital Seoul Festival, 2008; Selection, Vancouver Int'l Film Festival, 2008)

  • Huang Wenhai's Creatures of Politics, Voices of Conscience, a documentary about human rights and democracy activists in China (Worldwide premiere at the 2008 Venice Int'l Film Festival - under the Chinese title "Women"/我们)

June 2008

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Amnesty

This song, which appeared on Cui Jian's 1994 album "Balls Under the Red Flag" (红旗下的蛋) was the first Chinese song I ever attempted to translate. Many years and countless failed revisions later (and newly inspired by a documentary-in-progress about Chinese rock and roll), I've come back to it. As anthems go, it's pretty damned good...a political commentary cloaked in sexual imagery and double-entendre. If I had to reach for a western equivalent, I'd choose The Guess Who's "American Woman" and add a sprinkling of Bob Dylan, just for good measure.

I suspect that some of our translation colleagues have, at one time or another, translated this song into English and tucked it into their desk drawers. If so - if you're one of the proud, the reticent, the scholarly, the bored or the intrepid who have riffed this song and filed it away somewhere for posterity or inclement weather - please post your translation. The song raises some interesting language questions, and seems to defy most attempts at literal translation. As you can see, I've played these lyrics fast and loose.

Amnesty (宽容)

Both eyes closed, leaning on you
All hands down, stroking me
I want this satisfaction
and need you to respond
I want to tell you everything
just don't be mad with me

It's never love or hate with you
you're no more than what you are
I'm exhausted and it's pointless
but I have to go on fighting you

Fuck you, I say, fuck you
I'll talk behind your back
In the end, we'll see who wins
who holds out to the last

My eyes are open now and angry
I see what you've become and I can't speak
I want to sing an amnesty
for all that's happened here
but my voice sounds strange to me...

(click "more" for the Chinese lyrics)

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By Cindy Carter, June 16, 3:41a.m.

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