The Guardian reports that Jean-Jacques Annaud will be directing the film adaptation of the novel Wolf Totem by author Lu Jiamin - better known by his pen name of Jiang Rong. (See full article).
A quote from the Guardian piece:
The Associated Press reported that Annaud would be forced to make an apolitical interpretation of the novel in order to pass Chinese film censorship, with the Beijing Forbidden City Film Company's statement about the project avoiding the book's political messages to describe it as "an environmental protection-themed novel about the relationship between man and nature, man and animal".
This sounds like the real deal, but it does bring back some memories: anyone recall a few years back, when rumours of a Peter Jackson/Weta adaptation of Wolf Totem were flying fast and furious? One imagines that the Jackson version would have been heavy on computer graphics and special effects, while Annaud plans to spend 18 months raising and training the wolves himself.
I'm curious about the screenplay adaptation. Will it be based on the French translation of the novel (Le Totem du loup, by translators Yan Hansheng and Lisa Carducci), or the English translation by Howard Goldblatt, or will they start from scratch and work up a screenplay based on the Chinese novel? Will the film itself have Mongolian dialogue, or Chinese, or both? Not English or French, certainly.
I'm sure we'll be hearing more about this in the months to come...
By Cindy M. Carter, August 22, 7:09a.m.
Ha Jin Wants to Visit China:
"Jin, who teaches English at Boston University, said Saturday he's interested in visiting China but is discouraged by the difficulty of publishing Chinese translations of his English books in the mainland. He said he also applied to become a visiting professor at the elite Peking University in Beijing in 2004 but never heard back."
Gao Xingjian doesn't:
"Instead, the writer's focus is his new life in France, a country he had visited several times as an interpreter before his exile. He now has French citizenship and said he had no trouble integrating into French society, something he attributes to having grown up with Western culture."
A Defense of Jiang Rong's Wolf Totem:
"Also welcome, in my view, is Jiang Rong’s willingness to merge his tale of environmental destruction with an open discussion of Han Chinese cultural and political imperialism."
By Eric Abrahamsen, July 26, 1:33p.m.
The arena: The second floor of the Baiyun Hotel, an enormous official meeting hall some of us have dubbed the Great Hall of the People, complete with velvet curtains, raised podium, and (apparently) refrigerated wooden chairs.
The contestants: Jiang Rong, author of Wolf Totem, and Howard Goldblatt, translator of that novel into English.
The grudge: Billed as a conversation between translator and translatee, the event was actually a chance for Jiang Rong to air his grievances about Howard Goldblatt’s translation. The two are actually pretty chummy, but neither was averse to a little dustup – Goldblatt started off by essentially leaning back, folding his arms, and saying “do your worst”.
More…
By Eric Abrahamsen, March 28, 12:58a.m.
It seems Jiang Rong, author of Wolf Totem has decided it's time to step out of anonymity and start going by his real name – Lu Jiamin. Apparently, with the release of the book's English version right around the corner and his international reputation rising, he decided now was the time…
By Eric Abrahamsen, March 12, 10:23a.m.
In September of 2006 the South China Morning Post ran a profile I wrote of Jiang Rong, the author of Wolf Totem. Given Wolf Totem's recent win (and the fact that the profile is getting quoted in recent news stories) I wanted to reprint that article here.
Wolf at the Door
HOW DOES A book about Mongolian wolves - a book weighted down with complex historical theories, written by an unknown university researcher with a history of trouble with the government - sell a million copies in China? The mainland's best-seller lists are crammed with business manuals and martial arts fantasies. Why is the reading public devouring an old man's recollections of the Cultural Revolution, and his muted call for reform of China's political system?
Wolf Totem - part memoir, part socio-historical treatise - is one of the most popular books in recent memory. Since its publication in April 2004, it's sold more than one million copies legally, and perhaps six times that number in pirated editions. It's spawned a children's version called Little Wolf, Little Wolf, a film adaptation is to be produced by the Forbidden City Film Company, and an English translation is due next year, Penguin having paid a record fee for the rights.
For all Wolf Totem's popularity, next to nothing is known about its author. Jiang Rong is the pseudonym of an economics researcher at a Beijing university, a man who doesn't show up to his own press conferences, who's kept his identities so separate that his university colleagues had no idea he'd written a book.
His anonymity is not entirely voluntary - in conversation Jiang hints at past political troubles that resulted in his being barred from teaching, and from much of public life, for the past two decades. But surely that would also exclude him from publishing books? "At the time they didn't know it was me," says Jiang, a 59-year-old man with piercing eyes and a sly grin. Did that cause him problems once they found out? "Yes", is his only answer.
More…
By Eric Abrahamsen, November 16, 2:05a.m.
